Copyright 2012 Eric Jonsson.  All rights reserved.
Too Many Hats, huh?
Ever Had a Model?
Meet Your (Possible) (Future) Clients and Patrons
Over the years I have had the privilege of meeting many different types of patrons and clients. Twenty plus years ago I learned what many people seem to be learning right now -- in the art business you had better learn to wear alot of hats because you'll be wearing all of them at some point or another. One of the hats we artists have to wear is that 'sales' hat.

Typically, artists create work under the plan that a gallery owner will sell their art for them. That's the model they use. For many professionals in the art world, that is the old model. I tried entering the gallery system in the early 1980's and, even with prestigious introductions and excellent work (their words),  I got absolutely nowhere fast.  So I went solo and things moved very quickly.
Although the term didn't exist then, the model I created is now the business model  for what we call 'Outsider Art' in use today. I learned some important things which helped me create that model:

1) If you want to make things happen, you have to make them happen yourself, at least for awhile.
2) You have to have something unique and different if you want to survive as an outsider.
3) You have to overcome your fear of being like a gallery salesperson.

The first two points are pretty self-explanatory. The third is so important that it can't be overstated. So...how do you overcome the fear? Start by understanding the people you'll be meeting.

And always remember, thanks to the internet, Outsiders are now on the Inside.

1. Type of Clients (Brief definitions: A 'client' has usually paid you. A 'patron' may or may not have paid you.)

TYPE 1: The Life-Loving Professional

This type of client or patron focuses on truly enjoying life. They are on the go, even when at home. Because of their fast-paced lifestyles, what they value most is time. Respect their time. And remember, respect their time.

From experience: As artists, our friends sometimes become emotional and cause us problems with our work that most other people don't have to face. (For an extreme example read about Soliere.) Sometimes these problems can temporarily damage even the best reputation.... I paid to be driven to an important painting I was creating, and got a very long detour through some beautiful neighborhoods on some very famous boulevards only to arrive very late. Ended up being upset with my 'driver' and looking into the face of a very upset patron waiting for me so she could leave. The cost: The beginning of friction because of perceived disrespect of time. Soliere.

TYPE 2: The Aesthete

This type values the beauty in life; they value what is beautiful, both literally and figuratively. You'll see it in how they present themselves -- their dress, their manner, their speech, etc. You'll see it in their surroundings -- their beautiful neighborhood, their home, their interiors, etc. The Aesthete (ass•theet) derives pleasure from the things that beauty provides, one aspect of which is order. Because the creation process is anything but orderly, this type will focus on your completion date (to maintain order), the beauty of every moment of creation (be it in your studio or in their home), things that keep the continuity of beauty going. The person who seeks beauty seems to have a stong dislike for what the rest of the world would think of as the-problems-of-life, so the facade of beauty hides the distress. Their distress is private. When you see it, be very respectful of it. Very.

From experience: While creating a painting about a terrace I hurried to near completion (Hint #1). I was so focused and so into it, many hours a day, for many weeks. Just before I neared completion, I was asked what else I was going do with it in such a way that I answered, in my most pleasant voice, "Look, I'm not Rembrandt or Michelangelo". I finished the painting, which was well received by all who viewed it. The painting was Fifth Avenue Terrace. It turned out that my patrons were going through a very difficult time.

TYPE 3: The Artistic Patron

The first thing to learn here is that this type of patron secretly wishes they were you.   They have a similiar personality type, and as such, will get along famously with you -- at first -- unless you learn quickly to keep things light. This type appreciates beauty and has a taste for the unusual, giving you a little more freedom in the creative process. (As an aside: Whether you are a studio artist or you work on site, this type will usually reveal themselves through disrespect of your work, your studio, you yourself, or all three.) Remember, they do love the artistic way, and who understands that way better than you. Play up the elements of creativity, and stay away from anything that might bring up their 'envy'.

From experience: I created a painting for an attorney and his wife once. During our initial meeting the attorney asked me who put together the very well-written description about what to expect during the painting process. (Perhaps he thought someone did if for me.) When I explained I had, the whole tone of the meeting changed from great to groan. (Not a highly charged question. Hmmmm...) I was invited to stay at their lovely home, which I declined, and later invited to dinners. They asked to give me a reception, which was later converted into a Christmas party / reception for myself and another artist. His actions, like the actions of others that so many artists face, in a political sense, were to try to knock down an artist who seemed threatening. (If you're really good, this will be a recurring theme.) The lesson here is 'jealousy', which comes part and parcel with the Artistic Patron. As you've probably figured out by now, the jealousy issue is hard to tackle. You have to wade through it, and just stay focused on your creativity. In the end, your creative output will far outweigh these types of encounters.

TYPE 4: The Investor

This type looks at art as an investment. Period. That makes you, the artist, the producer of the investment. This patron is a dollars and cents type, with little true appreciation for art, other than collecting it to make themselves look cultured. A patron like this can feign a love of art, however, and when push comes to shove you'll see the real side of this kind of person. Again, what matters is your creative output. Period.

From experience: A recent painting brought with it The Patron from Hell. The trick here is to see the type coming, because you really don't want to create art for this type unless you have a penchant for masochism. So, what do you look for? During your initial talks you'll notice odd comments, which you may be tempted to overlook. Don't. The comments are red flags telling you not to proceed. If you do, things will escalate into the 'personal arena', at which point you'll want to bail. (Make sure you have paperwork which allows you to do just that.) This type is in it for the 'personal', not for the art. My experience was that everyone loved the painting except for, mysteriously, that patron.

Now you have an understanding of the types of clients/patrons you will meet.  Go out and meet them!
ART
For Artists Only

BY ERIC JONSSON
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